“Well, it’s rather brutal here. We’re advising all of our clients to commit their entire holdings into canned food and shotguns.” This nugget of sage advice comes from the Brain Gremlin – a scientifically altered, articulate, spectacled member of the oozy monster mob that infests Manhattan’s high-tech Clamp Tower skyscraper in director Joe Dante’s unhinged continuation Gremlins 2: The New Batch. At first glance, it’s simply an portfolio pointer from one monster to another. But, oddly enough, it’s also pretty solid life guidance. Honestly, hear me out.
When life takes a turn for the worse, the biggest mistake you can do is take things too seriously. The Brain Gremlin understands this. Indeed, a large portion of the dentally-gifted beasts that inhabit Dante’s unrestrained 1990 movie (arguably his best) possess the same knowing, self-referential comic sensibility regarding the hazy boundary separating daily routine and absolute bedlam. It’s a single component of Gremlins 2: The New Batch that ensures my return – and with the passage of time, it’s the theme that echoes the loudest.
Of course, my attachment to this movie wasn’t born on such an philosophical plane. Growing up, we only had a few battered VHS tapes at home. Among them were Gremlins and its sequel, the latter housed in a bulky previously-rented case probably bought from an off-brand video shop and featuring grimacing beasts on its worn-out artwork. I was instantly captivated and these films quickly proceeded lodging themselves inside my tiny, impressionable mind. Henceforth, they became an practically routine part of my early years entertainment regimen.
Dante’s original typically gets all the praise, thanks mostly because of its reputation as a partly frightening holiday classic – and let me be clear, I’ve watched Gremlins an incalculable number of times. Nevertheless, its successor infrequently obtains the same level of high regard, which feels criminal. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During sunny school summer breaks, I’d lock myself inside and stick it on. When I got my own TV-VHS combo unit, it remained on repeat in my bedroom. With repetition, it etched itself permanently in my mental framework. If my parents detected this preoccupation, they gave no indication of concern.
As I grew, new revelations enriched frequent screenings, elevating the fun of watching diminutive verdant beasts happily vandalize a New York high-rise. I learned the future-focused property magnate and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon the later-to-be-president Donald Trump, with his auburn-haired worker Marla (Haviland Morris) echoing his former spouse Marla Maples. Thankfully, Clamp has more heart than his genuine article inspiration.
The “doomsday” video Clamp plays during maximum monster mayhem? I discovered it was inspired by a actual “Doomsday” video created by the CNN boss Ted Turner in case the world really ended. I noticed how Dante took extra pains to film alternate cuts of a self-aware scene where Gremlins hijack the exact movie you are viewing. One for cinemas, another for home video and television, each delivering a smirking slice of self-referential entertainment sorcery before the term was even a thing.
While it was makeup maestro Rick Baker’s gloriously nasty-looking creatures that captured my attention as a child, this deeper gold held my interest as an adult. Ultimately, I even spoke to Dante about it myself and he had no reservations informing me he made the movie with the direct intention of poking fun at those who loved its goofy-but-heartfelt predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This cartoonish insubordination and commitment to not take his sequel as gravely as his Warner Bros bosses evidently expected, only increased my affection for it.
When I went through a sudden family bereavement not long ago, I was taken aback to discover that, during my deepest grief, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Odd, no? Perhaps not. The soothing reminiscence it furnished was necessary to thin out my mind’s sadness sludge – but the stuff it had given me as an adult were equally valuable.
Like Gremlins rampaging through a genetics laboratory, there’s certain elements in life you just are powerless over. Dante is aware of it. The Brain Gremlin knows it too. Sometimes, you have to emulate them: welcome the pandemonium, invest all your resources into canned food and shotguns and try not to view the world with undue solemnity.
It’s robust worldly wisdom from a highly unexpected fountain – and it’s why Gremlins 2: The New Batch will forever remain my go-to cinematic solace.